Introduction Having been considered one of the most essential directors of all time, Alfred Hitchock has undoubtedly revolutionised cinema and contributed to the further development of the thriller and horror genre. Alfred Hitchcock's films are very often referred to as psychoanalytical thrillers due to the fact that many aspects and problems raised in those movies are deeply rooted in psychoanalysis. It seems that the Freudian ideas have been consciously adapted by the director.
The mass appeal that Psycho has maintained for over three decades can undoubtedly be attributed to its universality. Psycho begins with a view of a city that is arbitrarily identified along with an exact date and time. The camera, seemingly at random, chooses first one of the many buildings and then one of the many windows to explore before the audience is introduced to Marion and Sam.
The fact that the city and room were arbitrarily identified impresses upon the audience that their own lives could randomly be applied to the events that are about to follow.
As Marion begins her journey, the audience is drawn farther into the depths of what is disturbingly abnormal behavior although they are compelled to identify and sympathize with her actions. In the car dealership, for example, Marion enters the secluded bathroom in order to have privacy while counting her money.
Hitchcock, however, with upper camera angles and the convenient placing of a mirror is able to convey the sense of an ever lingering conscious mind that makes privacy impossible. Hitchcock brings the audience into the bathroom with Marion and allows them to struggle with their own values and beliefs while Marion makes her own decision and continues with her journey.
The split personality motif reaches the height of its foreshadowing power as Marion battles both sides of her conscience while driving on an ominous and seemingly endless road toward the Bates Motel.
Marion wrestles with the voices of those that her crime and disappearance has affected while the audience is compelled to recognize as to why they can so easily identify with Marion despite her wrongful actions.
The suspicion and animosity that Marion feels while at the motel is felt by the audience. Hitchcock compels the audience to identify with the quiet and shy character whose devotion to his invalid mother has cost him his own identity.
The audience is reassured, however, when Marion, upon returning to her room, decides to return the money and face the consequences of her actions. Upon the introduction of Norman, Hitchcock introduces the first of several character parallels within Psycho.
The clash between Marion and Norman, although not apparent to the audience until the end of the film, is one of neurosis versus psychosis. The compulsive and obsessive actions that drove Marion to steal the money is recognizable, albeit unusual behavior, that the audience embraces as their sympathy is primarily directed towards her character.
The terror that Hitchcock conveys to the audience manifests itself once the audience learns that they empathized with a psychotic person to a greater extent than with rational one when their sympathy is shifted to Norman.
During the infamous shower scene, Hitchcock conveys a sense of cleansing for the audience. The audience, now in a vulnerable state looks to Norman to replace Marion as its main focus in its subjective role.
As the two men face each other, the audience is able to see their contrasting personalities in relation to Marion. The conflict that arises between Sam and Norman reflects the fact that Sam had what Norman wanted but was unable to attain due to his psychotic nature.
Faced with this spectacle, Hitchcock forces the audience to examine their conscious self in relation to the events that they had just subjectively played a role in. Hitchcock enforces the idea that all the basic emotions and sentiments derived from the film can be felt by anyone as the unending battle between good and evil exists in all aspects of life.Alfred Hitchcock’s Psycho: Theme Analysis Alfred Hitchcock’s Psycho has been commended for forming the archetypical basis of all horror films that followed its release.
The mass appeal that Psycho has maintained for over three decades can undoubtedly be attributed to its universality.
Hitchcock’s ‘Psycho’ film analysis ‘Psycho’ is a ’s classic horror movie, directed by Alfred Hitchcock. It was known to be the scariest horror movie of its time, making people feel shocked, disgusted and mentally disturbed.
movie. But, if so, she’s spawned some odd children. What isn’t often recognised is that Psycho Alfred Hitchcock’s Psycho was first screened in New York on 16 June It was an Its themes struck at many cherished American values; mother love, in particular, would never be quite the same again.
Following its release, Psycho. - The Analysis of the Film 'Psycho' by Alfred Hitchcock Write a magazine article in which you discuss Psycho’s Enduring appeal as one of the great films of cinema.
Discuss some specific techniques used by Hitchcock which create tension and suspense for the audience. Psycho study guide contains a biography of director Alfred Hitchcock, literature essays, quiz questions, major themes, characters, and a full summary and analysis.
The main character, Jeff, is immobilized for the summer and in order to pass the time begins to follow the lives of his neighbors by spying on them. which brings us to the underlying theme of the movie. Rear Window is a study in relationships and how they evolve and change.
Film Analysis of Alfred Hitchcock’s “Psycho” Introduction.